Posted by: trailerpilot | 01:16::2009

Sought and found.

This is great:  Just last week I was throwing a carrier pigeon out into the internets, asking for more information about Marissa Perel, and today the CDF mailing list drops off a release about the next Silverspace Salon.  It’s with Marissa Perel.  That was certainly easy.

There’s a link in there to her blog, which–although only two posts in–is interesting to say the least, assessing the commencement of posting weekly through the concept of xenia and, more specifically, complex issues related thereto as discussed by Jacques Derrida.  (I have to say:  I read a lot of blogs, and it isn’t every day that these kinds of ideas pop up.)  I’m looking forward to meeting her, and hearing more about her experience as part of the Miguel Gutierrez project.   The Salon hits Silverspace Monday, February 2 from 7:00-9:00pm.  It’s free, although an RSVP via email is requested–you can find both kinds of address on the Silverspace site.

Posted by: trailerpilot | 01:15::2009

Workshop smorgasbord.

More improv news:  Synapse Arts Collective is hosting a workshop Saturdays in February beginning the 7th.  The three two-and-a-half-hour sessions will be hosted by Lisa Gonzales and Jennifer Kayle of The Architects.  When it comes to movement improv (often practiced in a vacuum) blind spots abound, even with the use of a camera, and habit can create cycles and ruts that are hard to break out of.  Cost is $75 for the sessions, $60 for students, which is a good price point considering what you’re likely to get out of it.  The workshop’s focus looks to be on balance between solo practice and composition via opening up the group dynamic–if you use improvisation as a tool to generate choreography, this probably couldn’t be further up your alley.  Sign up is being handled over at the Link’s Hall website (where the workshops will be held), there’s a Facebook webpage, and more info is posted on Synapse’s site as well.

While I’m still firmly within the “novice” category when it comes to Feldenkrais study, everything I know I learned from Kathleen Aharoni and I’m telling you, the woman knows what she’s talking about.  If she didn’t have such a gentle manner, her ability to determine from a passing glance what your movement impetus and underlying thought process are would be almost freaky.  But, she’s a sweetheart and, through a longtime association with Molly Shanahan, really knows how to connect Feldenkrais practice to the dance experience.  Mad Shak is presenting a Wednesdays workshop on Awareness Through Movement (ATM) with Aharoni that starts next week (1/21 from 1:15-2:30) and runs through March 11.  The classes are being held in the Mad Shak space on the third floor of the Berger Park Cultural Center.  Also a sweet deal, the full workshop costs $80; drop-in sessions are available to the noncommital for $15 each.  Kristina Fluty will set you up via email at mollyshanahanmadshak (at) gmail (dot) com–tell her trailerpilot sent ya.

AND, lastly, Karen Christopher and Bryan Saner of the late Goat Island Performance Group are ‘shoppin’ it up at Link’s Hall this Saturday for an all-day (10:00-4:00) intensive on “strategies for working collaboratively and investigating ideas for performance presentation.”  $70 buys you in and, while I’ve not met Bryan, Karen’s brilliant and you should listen to everything she says.  Register here.

Posted by: trailerpilot | 01:14::2009

What’s going on?

Relax:  My latest Dancin’ Feats is up.  I’ve got you covered through early next month.  Read it.

Posted by: trailerpilot | 01:13::2009

NKOTB.

I had a terrific time this evening hosting DanceWorks’ latest Dance Chance, and am so glad I was given the opportunity (thanks Julie!).  Turnout was excellent and all three pieces–Autumn Eckman’s Standing Ground, Meg Anderson’s Escape Velocity, and Rebecca Niziol’s This Is It–were unique, well-crafted and superbly danced.  At the end of the evening, Rebecca took the opportunity to formally announce the start of a new regular gathering for improvisation practice in a group setting.  I was out of town and missed the launch brainstorm, but I’m really excited about it and, from the looks of their hot new website, these kids mean business.  The first installment of Ncounter will occur at the Ruth Page Center for the Arts on January 31.

One very cool thing the Ncounter folks have set up are notifications and reminders via SMS, through a service called TextMarks.  It’s got the potential, to my eyes anyway, to be the next wave of Constant Contact -style networked marketing, not to mention brilliantly simple (I was confirmed and done within 60 seconds).  I’m all signed up and hope to make the first meeting in person–stay tuned for updates.

Posted by: trailerpilot | 01:13::2009

Bullet dodged.

This just in:  Ballet B.C. has apparently found a way to avoid bankruptcy.

(via The New York Times)

Posted by: trailerpilot | 01:12::2009

Blogoldmine.

During a drive-by of Kristin Sloan’s superblog The Winger (of iPhone commercial fame), I happened by a news item in the sidebar about Deborah Friedes’ and Tal Galili’s aggregator Dance Bloggers.  I couldn’t tell you why it didn’t occur to me to see whether such a site even existed, but I’m nonetheless happy to have found it (yours truly is awaiting approval for inclusion on their list).  Suddenly I have a lot of catching up to do, but after a cursory right-clicking binge that just about crashed my browser, I can at least share some initial observations.  A few links are highly specialized and fascinating–Choreobot chronicles the dev behind a DanceForms-esque phrase generator, for example–but most seem to be some kind of street-level field news and/or dancer journal.  Friedes’ own blog Dance In Israel is on the list; from the relative enormity of “Batsheva Dance Company” and “Ohad Naharin” in her tag cloud it will at the very least be a convenient go-to for news on those lovelies.  NYC is heavily represented, even within an almost-random sample, but there are a few voices from elsewhere, like Melbourne, Philadelphia and San Francisco, as well as some endearing campus chronicles.

One gem I was able to find without any effort was a recent entry from Reflections on Dance discussing the experience of a colleague involved in the January 1 improvathon I linked to in last weekend’s roundup roundup, which was just the sort of followup on that project I was looking for.  It’s nice too to see there are venues that provide info on inside news, like the Joyce’s and DTW’s blogs, and it’s high time I introduced myself to some of the bigger players on the scene such as Movmnt Magazine, Paul Ben-Itzak’s The Dance Insider, and Tobi Tobias’ umbrella site Seeing Things.

Anyway, it’s a great resource and I look forward to being a part of the Dance Bloggers community (cough hint)–go check it out.

UPDATE: Dance Bloggers just added me to their network.  Thanks guys!

Posted by: trailerpilot | 01:11::2009

NYT Weekend Roundup: Tutti-Frutti Hat Edition

It’s the weekend again already?  Yikes.  It may be because this was the first “regular” week of the new year, but it both flew by and nearly killed me.  Anyhow:  Off to the dance section!

The marquee story (and current most-emailed in Arts) is Gia Kourlas’ review of the Busby Berkeley festival-within-a-festival at Dance on Camera at Lincoln Center, which runs one more week.  It’s engaging and fun, and looks at the martial influence on Busby’s numbers, his dancerly approach to cinematography, and underlines the obvious connection between the tough-times escapism of his glory days with today’s, uh, unrelenting barrage of malaise.  Roslyn Sulcas elsewhere summarizes the festival as a whole.

My dear Ally McCall hits it out of the park with a terrific essay on Harold Pinter’s near-choreographic (and inarguably obsessive) approach to timing and stage direction.  As a piece of analysis, it’s great, and as a considered, slightly belated intellectual obituary, it’s fantastic–the only must-read this week. Read More…

Posted by: trailerpilot | 01:10::2009

Gaga for Batsheva.

As I’ve mentioned before, Batsheva Dance Company is performing two shows only in Chicago, at the Auditorium Theatre February 7 (at 7:30pm) and 8 (at 2:00pm).  Coverage will follow in my Dancin’ Feats column next week (which I’ll link to here), on Flavorpill the week of, and look for a review right here after the first show.

This video, from Sadler’s Wells’ YouTube page, is of 2005’s Three only, but I think it provides a better sense of why you should be jumping out of your skin with excitement than the Auditorium’s official preview video does (although the latter opens with a nice long take of some ensemble work from 2001’s Naharin’s Virus).

The Deca Dance that Batsheva is bringing on their impressive 15-city US tour is made up of eight pieces–including both Three and Virus–from between 1992 and last year.  Be sure to pick up the next issue of the Windy City Times for the rundown and, for heaven’s sake, go get your tickets–See Chicago Dance is offering $10 off.

(What’s gaga, you say?  The Brooklyn Rail published a great interview with Ohad Naharin by Susan Yung in 2007, which you can read here.)

Posted by: trailerpilot | 01:08::2009

Sk8rs.

If there were Beard Awards for eye candy (which is, I suppose, what you could call the Oscars‘ design and technical achievement categories), Spike Jonze would have his tables booked months in advance.  I don’t mean “candy” in the sense that what he does is somehow insubstantial; he works in the pop idiom is all, and his enormously influential accomplishments therein are no less important to art than those of people like Takashi Murakami or Jeff Koons.  The “candyness” of his work comes from his ability to execute something inherently simple absolutely impeccably.  (Write down a description of anything he’s done in his career and look at it:  One or two sentences, tops.)  It’s within that minimalism, though, that he excels.  If anything, he elevates each of the few choices he makes into brilliance by knowing exactly how to frame them. Read More…

Posted by: trailerpilot | 01:06::2009

Come on out and take a chance.

Hot off the press:  This coming Monday, January 12, I will be hosting and moderating talkback at the next installment of DanceWorks Chicago’s awesome Dance Chance series.  A monthly lottery for emerging choreographers, three dancemakers are given the stage to present 15-minute works, having been chosen from the audience at the previous month’s installment (no prerequisites to attend—you won’t be picked unless you sign up).  It’s already given dozens of artists the opportunity to create and show work (which for someone looking to explore choreography doesn’t exactly happen overnight).  Best and most genius of all, it’s free.  Come on out!

DanceWorks Chicago:  Dance Chance, with guest moderator Zachary Whittenburg, presents work by Autumn Eckman, Meg Anderson, and Rebecca Niziol

Monday, January 12, 2009 from 6:00-7:00 pm

Ruth Page Center for the Arts, 1016 N Dearborn St

And remember, if you are a budding dancemaker, put your name in the pot to be chosen for the next Dance Chance, which will be held (same time and place) on Tuesday, February 17.

AND, in related DWC news, Artistic Directors and Cofounders Julie Nakagawa and Andreas Böttcher will be holding an open audition this Saturday from 1:00-4:00 at the Dance Center at Columbia College–details and information here.

See you soon,

trailerpilot

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