Posted by: trailerpilot | 02:25::2009

You were only waiting for this moment to arise, New York.

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New Yorkers don’t always get the good stuff first:  Back in 2007 when I previewed Molly Shanahan’s My Name is a Blackbird I wrote of its process bringing about “an exciting reorganization of Shanahan’s trademark organicism.”  Since that first run at The Building Stage I’ve joined Molly Shanahan/Mad Shak as a collaborator and Blackbird has reappeared in numerous iterations and venues.  This April 9-11, Blackbird makes its New York premiere at Joyce SoHo as part of the theater’s INBOUND Festival.

Responsive to conditions in performance both concrete and abstract, Shanahan dances in Blackbird within environments by three composers (Andrew Bird, David Pavkovic and Mark Booth) and lighting by Josh Weckesser; Feldenkrais practitioner Kathleen Aharoni and dramaturg Leslie Buxbaum Danzig, along with a host of other collaborators, inform Shanahan’s work from outside the performance space.

While some of our larger arts organizations are prone to the occasional NYC appearance, this is a unique opportunity for New Yorkers to view the more adventurous and challenging dance work being created here in Chicago. If you live in the city, or have plans to be there in April, don’t miss it.

Molly Shanahan/Mad Shak
Venue and ticketing information
Joyce SoHo
My Name is a Blackbird at Joyce SoHo on Facebook
Post title source

Mercer Street, SoHo, New York

Mercer Street, SoHo, New York

Posted by: trailerpilot | 02:25::2009

A.W.E.S.O.M.E.

award_imagejpgThe Boeing Company just gave Neta Pulvermacher a bullhorn loud enough to be heard coast to coast: Her program The A.W.A.R.D. Show!, born at Joyce SoHo three years ago, has received a shot in the arm from the aerospace giant to set up satellite operations in Chicago, Seattle and Philadelphia beginning this summer.

Pulvermacher loves an acronym–the program’s name stands for Artists With Audiences Responding to Dance, and audiences are encouraged to assess candidate choreography according to criteria abbreviated as P.O.E.M. (Potential, Originality, Execution and Merit).  It may be a little too cute, sure, but the concept is sound:  Assume intelligence on the part of the viewer, and let them respond freely to the work while taking into consideration what they think the choreographer meant to communicate.  We may be deeply entrenched in the era of lowest-common-democracy but if a respect for and acknowledgment of process is built into the discussion, shouldn’t the audience vote be welcomed with or without a grain of salt?

There’s a good amount of fine print about The A.W.A.R.D. Show! but the vital info for you Chicagoans is this:  Choreographers’ applications are due for all four cities by 5:30pm Tuesday, March 31.  Thereafter, twelve candidates will be selected and their entries will be performed at the Dance Center at Columbia College, four per night, June 24-26.  On June 27, three finalists (one from each night) will receive a second showing, after which a winner–chosen jointly according to the P.O.E.M. by the audience and an expert panel–will be showered with $10,000 to make a new work, whose premiere A.W.A.R.D. helps publicize.  Runners-up each receive $1,000.

Stoked?  Download the Chicago application and get crackin’–March 31 is barely a month away.  Merde!

Posted by: trailerpilot | 02:24::2009

Fat, rich and buttery.

 

This image will remain until The New York Times makes me remove it.

This photo by Todd Heisler is here until The New York Times makes me remove it.

Buried in the last link of a NYT Arts slideshow about the new Diller Scofidio & Renfro renovation of Alice Tully Hall is the following quote:

“Oh my God, it’s heaven,” said Anne-Marie McDermott after playing a Steinway on the stage. “You can do anything: the clarity, the range.” She called the sound fat, rich and buttery, and unfamiliar from prerenovation days. “I wouldn’t have recognized it,” she said.

It’s amazing to consider being sensitive to sound to the extent that spaces would have tangible acoustic characteristics.

Posted by: trailerpilot | 02:24::2009

Close to Close.

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Very Closesque (Closeesque?):  Christian Faur‘s crayon assemblages.

(Christian Faur via PSFK via Gizmodo)

Posted by: trailerpilot | 02:24::2009

Give props.

props

Another great and affordable benefit peeks from around the bend:  Performing artists of all sorts Barry Bennett, Kristina Fluty, Atalee Judy, Mindy Meyers and Kristin Reeves are slated to do their things at Prop Thtr March 6 for an evening called Ghost Cycles.  The crew is scheduled to reconvene March 21 and 22 at Ruth Page for the next Circle in the Square, Ghost Series.  The action starts at 8:30 and it’s 15 clams–go show ’em some love.

Posted by: trailerpilot | 02:24::2009

The OG

 

This photo by Chris Strong is here until Time Out Chicago makes me remove it.

This photo by Chris Strong is here until Time Out Chicago makes me remove it.

Somewhat eclipsed by recent news about his successor, Hubbard Street Dance Chicago founder Lou Conte is nevertheless still participating in a moderated discussion with Claire Bataille, billed a Conversation With Lou, this Saturday at 6:30pm as part of the 35th anniversary of the Lou Conte Dance Studio.  

Lou Conte is funny, brilliant, and candid.  He also founded Hubbard Street Dance Chicago.  For Christ’s sake, go and listen to what the man has to say.

Posted by: trailerpilot | 02:24::2009

Off the chain.

 

 

Paul Preissner, CentrePointe, 2008. Rendering. Courtesy of Paul Preissner Architects.

Paul Preissner, CentrePointe, 2008. Rendering. Courtesy of Paul Preissner Architects.

For anyone that doesn’t skip my architecture posts:  Read up on Paul Preissner’s upcoming 12 x 12 show at the MCA.

Posted by: trailerpilot | 02:24::2009

Thawt you might like that.

It’s never too early to look forward to something.  Link’s Hall’s gonna be 30 this year, and they’ve got the Thaw lineup to prove it.  You’ve got some time to decide what to wear–it’s not until the 19th–but RSVPs are due March 9 and you don’t want to have to make an awkward phone call, do you?

thawinvite_final_web

Posted by: trailerpilot | 02:24::2009

Poonie’s or Rhoads? Ack!

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It’s Le Choix de Sophie for you happ’nin kids out there come Monday the 2nd:  A killer Poonie’s Cabaret and a Silverspace Salon with Julia Rhoads on the same night!  Read on/dive into your existential crisis.

Like I’ve been saying for years, Jyl Fehrenkamp’s Poonie’s Cabarets rock the hizz.  The Poo Cab is gassed up and ready to burn rubber (in a totally environmentally-friendly way) into ’09 with its upcoming installment, which is positively engorged with talent.  Check the lineup:

  • Peter Carpenter
  • Julie Mayo/Dim Sum Dance
  • The Dance Team
  • Adam Rose as “Elena”
  • Columbia College Renegades
  • The Moving Architects
  • Matthew Hollis

Along with the fabulous Fehrenkamp herself (who will also perform), Ronald Reagan will be there, Elena is a goth drag queen (!), it costs five measly bucks, it’s for a good cause and somehow, when a week starts off with a Poonie’s Cabaret, nothing bad ever happens on the way to Friday.  Poonie’s:  Get some at 8pm at Link’s Hall.

Lucky Plush Productions mastermind Julia Rhoads is the next to take the (kinda comically small, I have to say) chair at Silverspace for this ongoing CDF Salon Series I keep hollering about.  Lucia Mauro packed the house, Marissa Perel blew my mind, and now Rhoads is set to further stoke the fires of fierceness with a discussion about her obsession de l’année:  Transferring the inescapable questions of sampling and appropriation in contemporary culture to the realm of dance performance.  Silverspace Salons are also 1) free, 2) feature a variety of super-tasty snacks and wine (especially if you bring something too) and 3) held in the wonderland that is Asimina Chremos’ live/work space.  It’s here from 7-9pm and don’t forget to RSVP.  

Which will you choose?  It’s impossible, isn’t it?  Either way, you’ll have an amazing and affordable Monday evening.  Commence consideration.

 

Posted by: trailerpilot | 02:24::2009

Back to you in the studio.

Amidst the onslaught of shows to attend and review these last few weeks, a lot of stuff has come across my desk* that hasn’t yet been filed.  Here’s one:

Atalee Judy of Breakbone fame is breaking out the Core Excavation Project for ’09, which includes a new Sundays class at Hamlin Park (a reasonable 11-12:30am for you party animals)–yesterday was the second class, and they will run until April 5.  The Core Conditioning Class for Intermediate and Advanced Dancers sounds like no joke; its description states

Class begins with isolation techniques honing on core muscles. Evolving from this centering state the class uses this movement to create cumulative phrases that stretch, strengthen, and inform the body. Other areas that will be investigated are: floor integration, deep lunge work, aeration from low places, grounded weight shifts and splendid release technique.

BAM.  It won’t go as far as her research around Bodyslam Technique, but it definitely ain’t no Gaga cakewalk.  More information on the series and its very friendly, very appreciated reasonable price is available here.

*which, in a land of dreams and bliss, is Herman Miller’s Airia

 

Airia desk by Herman Miller

Airia desk by Herman Miller

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