
Angela Luem, left, and Laura Vinci de Vanegas of the Moving Architects in “SECTOR”
Photo: Andrew Roddewig
Five brief poems of dance for strong women combine in “SECTOR” to provide a map, more or less, of Erin Carlisle Norton’s approach to composition. Like Max (2007) doesn’t show Ohad Naharin’s hand with theatrical spectacle, “SECTOR” won’t clue you into what Norton can do site-specifically. Its five scenes were born separately over the last couple of years, Norton explained after the performance; “SECTOR” is indeed more work-in-series than an evening-length in five parts.
The score is likewise a mixtape, but a good one: Three tracks from percussionist Frank Rosaly’s excellent Milkwork (2010) open the show and meter a portmanteau of Norton’s March of the Oys and Burnshine called, simply, Rosaly. Cellist Hildur Guðnadóttir and sound artist Ryoji Ikeda alternate for the rest of the soundtrack. Transitions are slickly matter-of-fact; after Rosaly ended, dancer Bettina Vaccarello followed three latecomers into the theater, peeled away and began dancing her solo, Verse.








