Posted by: trailerpilot | 06:03::2009

Expialidopeass.

Yesss.

(via Coudal Partners)

Posted by: trailerpilot | 06:02::2009

Fresh Flavor: Dance on the Rocks Edition

Molly Shanahan/Mad Shak in Stamina of Curiosity. Photo by Sandbox Studios.

Molly Shanahan/Mad Shak in Stamina of Curiosity. Photo by Sandbox Studio.

Molly Shanahan/Mad Shak’s Stamina of Curiosity: my answer is yes opens this Thursday evening. Also in the ‘Pill this week is one of my less-than frequent music listings, for ICE at the MCA. As everyone on Facebook has been quick to point out, the weather here sucks right now. Why not go see a great show?

(PS: Sharon Hoyer over at NewCity has written a nice Mad Shak preview as well. Trust us: You’d be foolish to miss this, so go get some tickets already.)

Posted by: trailerpilot | 06:01::2009

Windy City Rhythms Goes Global

Jason Samuels Smith. Photo by Carl McClarty.

Jason Samuels Smith. Photo by Carl McClarty.

(Note: I don’t know a flea hop from a graboff. I appreciated and enjoyed this show very much, but I’m not qualified to assess its finer points.)

The final show last night of triple bill Windy City Rhythms Goes Global at the MCA opened traditionally and served virtuosity neat before earning its title. As Chicago Human Rhythm Project‘s Lane Alexander stated repeatedly, tap dance is an American form; however, this CHRP program filleted it to display the veins of universality intrinsic to percussive dance.

Created upon Alexander’s receipt of the Chicago Dancemakers Forum grant in 2004, CHRP resident ensemble BAM! are clean, tight and radiate a love of tap.

BAM! danced three works with the Vijay Tellis-Nayak Trio, a lovely jazz combo, including one by Guillem Alonso that used sand on boards to wrap the traditional vocabulary in a different soundscape (this recalled, for me, one of eighth blackbird and Susan Marshall’s collaborations last May). Jason Samuels Smith popped up briefly for an amuse before BAM!, including Alexander, wrapped their portion.

When Smith returned for his solo turn, it was to no accompaniment or theatrical frame; easy in manner and insanely talented, he doesn’t need either. It also gave the show a kind of cadenza: Smith runs into and out of rhythmic structures with glee and garnishes long runs of impeccable technique with witty detours. The trio slid in to accompany him after a few minutes, its drummer (Steve Gillis, I think) and Smith especially enjoying their dialogue. I would’ve preferred to hear more of Smith on his own, though — he has incredible compositional skills, his dancing a rich experience both visually and aurally. Read More…

Posted by: trailerpilot | 06:01::2009

That’s Vivian Pressman, one of the bungalow bunnies.

I attended the opening of Dirty Dancing last fall. With Lisa reimagined as a Mean Girl and Johnny half-hiding an Australian accent, it wasn’t for me (although the dancers, especially Britta Lazenga as Penny, were phenomenal). This, however, I love.

Posted by: trailerpilot | 05:28::2009

Manhattan Timeformations

Similar to this and even a little bit like thisManhattan Timeformations by the Skyscraper Museum has launched a great interactive site that allows you to manipulate and fly through exploded computer models of the island’s historical and highrise development data. Nice.

Screenshot of Manhattan Timeformations.

Screenshot of Manhattan Timeformations.

Posted by: trailerpilot | 05:28::2009

Gloires du matin.

Remember that first-time-in-two-decades solo performance by Marie Chouinard I was telling you about? Well, the second of its three showings was this morning. Radio-Canada has a nice piece and short video of yesterday’s opening up on their website that’s worth a watch, even if you don’t speak French Québécois.

Posted by: trailerpilot | 05:28::2009

May’s finish: Big n’ cheap.

GET_OUT

Jeez Louis-Dreyfus: Gone are the days when the dance season slowed to a trickle after Memorial Day. Tons of goodness going on this weekend — GET OUT!

  • If you’re just hearing about Julia Rae Antonick’s call to arms and you’re worried you missed the boat, fret not: There’s time yet to get in on the action and see her show for free. Just email Jonathan Meyer at jonathan (at) khecari (dot) org and they’ll put you to work. If you’re not in the mood to perform, that’s fine too: Antonick’s show, PEND, is naturally open to the passive, plain public as well, running Friday and Saturday at 8:00pm at Overdier Hall on the third floor of the United Church of Rogers Park, 1454 West Morse (at Ashland).
  • ‘Tis that time of year perfect for Hamlin Park’s theater, when you can show up an hour early, grab insanely delicious grub and horchata at Tony’s Burrito Mex, and have a pre-show dinner outside watching the neighborhood leagues play ball. Thursday and Friday the Fieldhouse welcomes The Luna Troop, who will present their Letters and Love Songs at 7:30pm. Tickets are deliciously burrito-priced: $8 in advance [write danceyogamom (at) yahoo (dot) com] or $10 at the door.
  • As someone who gets off at Howard, I know all too well how Blue Liners love to complain about what a haul it is up to Rogers Park — lucky for them, Friday‘s got some action in The Wick. Silverspace is the place for Quicksilver Occasion Pieces, the triple treat of Thomas Helton on doublebass, Carol Genetti’s stunning vocals and Asimina Chremos’ consistently-face-meltingly-awesome dancing. Crazy talent, casual setting, pay-what-you-want and BYOB, it’s pretty much the ideal weekend kickoff. 8:00pm at 1474 North Milwaukee Avenue.
  • Rehearsals for Becoming Gods, another show I’ve already discussed here, is upon us at the good ol’ & gorgeous Epiphany Church Saturday and Sunday at 3:00pm. Rather than run down the details I’m just gonna post their beautiful flier:

RFBG

To recap: Go support dance this weekend. It will cost you nothing, or close to it.

Next week Chicago Moving Company opens its latest installment of Dance Shelter, a mixed-bill mini-fest at Hamlin Park featuring CMC and its artists-in-residence. On the program are:

  • Chicago Moving Company, soldiering on into an astounding 37 years in the dance scene, is reviving the duet Hati-Hati with Jeremy Blair and Rachel Bunting (a Reader Critic’s Choice upon its premiere).
  • Bunting’s project The Humans are remounting and reworking their duet who I am, who I am not, a take on twindom (Bunting’s sister Collin is an accomplished fashion designer and dance costumer) involving “a human terrarium, mirrored cubes/heads, and shadow puppets.”

Dance Shelter runs over two weekends: June 4 & 5 and 11 & 12, all at 7:30pm. Tickets and more information are available here.

Rachel Bunting and Jeremy Blair in rehearsal for Hati-Hati.

Rachel Bunting and Jeremy Blair in rehearsal for Hati-Hati.

Posted by: trailerpilot | 05:27::2009

Summer stakes.

Neta Pulvermacher.

Neta Pulvermacher.

In this week’s Windy City Times: My rundown of upcoming event The A.W.A.R.D. Show! 2009 at the Dance Center. Read at the WCT site, pick up a copy, or Read More…

Posted by: trailerpilot | 05:27::2009

Full tilt.

I used to think nothing could come close to the delirium that is Sara Carlson’s 1984 Al Paradise performance for Italian television. Turns out I was wrong.

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