Posted by: trailerpilot | 09:13::2009

A Chosen Pick of the Decided Spot

Jessica Wright and Christine Benson. Photo by Jay Schroeder.

Jessica Wright and Christine Benson. Photo by Jay Schroeder.

A showing Friday and Saturday night by busy, young dancer/choreographers, A Chosen Pick of the Decided Spot was the kind of evening I can really get into: The pieces were short, ideas unique and varied and, most endearingly, nothing was forced upon the audience as though it was self-evidently Important. That isn’t to say that it wasn’t, but in spite of the quality it made no demands, just asked simply to be witnessed.

Jessica Wright organized and presumably curated the show and created two of its seven acts. The first, “Characterized by indecision,” seemed more or less unchanged from its appearance on a Field Trips program in May; I liked it just as much now as I did then and appreciated the chance to see it a second time. The other, “The Arrangement of Complements,” was a confident step forward in the same direction. Christine Benson, Anna Goldman and Jessie Young, credited with Wright for the choreography, gave a clean performance that made each burst of dueling rhythms, freeze-tag tableaux, miniature canon and coagulation of unison plainly visible in concept. Idiosyncratic gestures and unexpected musical choices (E*vax, The Books, µ-Ziq and Takagi Masakatsu) are all well and good, but telegraphing a sense of style — the costumes were lovely all evening — isn’t enough. Wright and her dancers are disciplined in a way that many of their generation aren’t. Everything is diligently worked out by hand with no corners cut — the hip beats and threads merely support intelligent dancemaking there in full. Read More…

Posted by: trailerpilot | 09:13::2009

The Waking Room

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The man that Jonathan Meyer is and the way he frames his practice don’t prepare you for his work: It’s as intense, challenging and aggressive as he is mild, deliberate and kind. The Waking Room, an evening-length, CDF-supported production of his Khecari Dance Theatre that opened Thursday, is a new piece for three men (Meyer, with Michel Rodriguez and Philip Elson). To reduce it for a blurb might be to say “it’s a film danced by ninjas and based on a Robert Creeley poem, directed by David Lynch on a bad acid trip.”

This filmic structure is perhaps its most unique and complete concept: As lit by Julie Ballard, the intriguing but run-on piece I saw in progress a few weeks ago was transformed into a series of scenes separated by undefined lapses. There’s an open question as to whether any two represent immediately-subsequent moments or vast leaps forward and backward in time. In a few especially-effective places, an action lasting only a few seconds is reset in darkness and repeated; Meyer and Ballard have made a piece of dance cinema in the flesh.

Read More…

Posted by: trailerpilot | 09:12::2009

Polly wants a body rock.

Wow.

(via Dance NOW Chicago who, by the way, have just invited the entire city and anyone in it to participate in a guerrilla dance party on Friday, which is a fabulous idea.)

Posted by: trailerpilot | 09:11::2009

Kleptobrainia.

StealThisDance.com has gotten periodic play on trailerpilot over the past few months but let me remind you that, like all the best user-generated-content-driven sites, it’s a living, breathing beast rewarding repeat visits. Specifically, Julia Rhoads and company (Lucky Plush Productions) have given their baby some new features and functionality, launched a choreography contest whose winning entry will appear in the premiere of Punk Yankees next month, and there’s of course the collected and growing body of submissions and discussion Steal This Dance has amassed since launch. Go see what’s got William Forsythe dropping F-bombs and calling “a moving document of the actual economies of culture, as we experience them from within our practice.”

Julia Rhoads of Lucky Plush Productions. Photo by William Frederking.

Julia Rhoads of Lucky Plush Productions. Photo by William Frederking.

Posted by: trailerpilot | 09:11::2009

Hot ticket.

Raimund Hoghe. Photo by Rosa Frank.

Raimund Hoghe. Photo by Rosa Frank.

Seriously folks: You should attend Monday’s kickoff of the 2009-2010 Chicago Dancemakers Forum Salon series, and you should RSVP ASAP because the seats are going quickly. From my writeup in this week’s Windy City Times:

The Chicago Dancemakers Forum (CDF) presented a fascinating series of presentations and discussions at Wicker Park work/performance venue Silverspace last season by dancemakers and other practitioners in the field; by springtime they were consistently packed with a huge variety of curious folks. The series kicks off another round Sept. 14, when CDF, Links Hall and the Goethe-Institut co-present “Body, Space, Music,” a free performance and talkback with Raimund Hoghe, German choreographer and dramaturge for 10 years with Pina Bausch Tanztheater Wuppertal. Hoghe will dance, read and present video from his recent investigations; Dancin’ Feats strongly recommends you attend. It will be at the Goethe-Institut Chicago, 150 N. Michigan, Suite 200, 6-8 p.m. Read up on the artist at www.raimundhoghe.com; RSVP by calling Links Hall at 773-281-0824.

See you there!

Posted by: trailerpilot | 09:10::2009

Fresh Flavor: Fest n’ Lunch Edition

The freshness continues! Two new previews up at Flavorpill, for DanceWorks Chicago’s Eat to the Beat series at the Harris and the Other Dance Festival.

Posted by: trailerpilot | 09:09::2009

Fresh Feats: ODF Edition

Rachel Bunting/The Humans at The Other Dance Festival.

Rachel Bunting/The Humans at The Other Dance Festival.

Here we go, folks: It’s another September, another Other, and another Dancin’ Feats. Trot on over to The Windy City Times or look out below!

Read More…

Posted by: trailerpilot | 09:08::2009

Dance sells.

On commercialography, via Flavorwire.

Posted by: trailerpilot | 09:07::2009

A new pair o’ Links!

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Just posted over on the Pages project are two new interviews: Laura Molzahn’s with Michael Zerang, Links Hall AD from 1985-89, and mine with Asimina Chremos, AD from 2000-04 — check ’em out!

Posted by: trailerpilot | 09:04::2009

Fall preview preview.

My own fall dance roundup is just around the bend but if you’re jonesing for details, some are already up.

In short, I’ll say I’m thrilled about what Chicago’s venues and presenters have put together for their seasons, economic collapse be damned. I’m also worried that a few weekends this fall (I’m looking at you, October 1-4) may be the end of me.

Stay tuned!

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