Posted by: trailerpilot | 10:07::2009

Darkside Dance Workshop

Image courtesy Adam Rose.

Image courtesy Adam Rose.

Recent LinkUP artist Adam Rose‘s Antibody Dance has a workshop going on this weekend for those seeking “a contemporary approach to the dance of darkness,” described as follows:

Darkside dance is understood as a spiritual practice orientated towards nonduality,
uniting the mind and body.

The participants are guided through a process aimed at recovering the animal body,
becoming outcast and other. This otherness then becomes the key to the spiritualized body.

Through guided movement exercises and improvisation, participants are led through four animal forms in preparation for embodying the demonic, then utilizing the demonic to gain access to the formless.

Through spider, we rediscover time and space.
Through snake, we rediscover instinct and the desire to move.
Through frog, we rediscover emotion and flexibility.
Through monkey, we rediscover curiosity and play.

Upon recovering our animal nature we lose our place in the social order,
we become outcast and strange.

Having become strange, we are now worthy of taking the stage.
As demons, we conquer the stage and establish an adversarial relationship to the audience.

Finally, the artificial world of the theater dissolves, and we are thrown into the void.
We discover the subtle energies of the spiritual.
Our bodies become vessels for the unseen,
disappearing in the formless.

The three-day session is being held at Outer Space, 1474 North Milwaukee Avenue, Friday October 9, 2009 from 6:30–8:30pm and Saturday October 10, 2009 from 2:30–8:30pm. An informal showing will be held Sunday October 11, 2009 at 7:30pm. Cost is $75; RSVP and/or acquire more details at adam (at) antibodydance (dot) org

Posted by: trailerpilot | 10:07::2009

Go Stealers!

SYTYCC

So You Think You Can Choreograph? has a winner: an excerpt from Anna Normann’s “For the Sake of the Mona Lisas” will appear in Lucky Plush Productions’ Punk Yankees, opening October 22 at the Dance Center. Mad props to Norman and to Ania Greiner/3 Card Molly, who nabbed second.

Posted by: trailerpilot | 10:07::2009

Fantastic four.

FantasticFour

Links Hall has announced its four LinkUP Artists-in-Residence for 2009-2010 and it’s a choice bunch: congratulations to Tiffany Bullard, Emma Draves, Lily Emerson and Ginger Krebs.

Posted by: trailerpilot | 10:06::2009

Double the fund.

Jeffrey Forsythe, "Reflections of the Way Cake Used to Be," 2005. Oil and acrylic on panel.

Jeffrey Forsythe, "Reflections of the Way Cake Used to Be," 2005. Oil and acrylic on panel.

Two great fundraising events this week to tell you about: First, tomorrow, October 6 from 6:00-8:00pm, River North Chicago Dance Company will collect the proceeds from A Superior Stroll. Three West Superior Street galleries — Perimeter at No. 210, Ann Nathan at No. 212, and Ken Saunders (formerly Marx-Saunders) at No. 230 — will have works on display for a sneak preview of  SOFA, the outstanding annual design fair being held November 6-8 at Navy Pier, New York in April, and Santa Fe in July. Wine and appetizers will recharge you at each location and tickets are a bargainy $25 in advance, online here or by phone at (312) 944-2888 — walk-up tickets are $30 and available at each of the three doors. Perimeter is featuring Jeff Forsythe (attending), Ken Saunders has eleven artists’ works including Thomas Scoon, and Ann Nathan will show Jim Rose along with other paintings, objects and furniture.

Same Planet Different World‘s putting on its party shoes as well, Thursday, October 8 at 7:30pm at the lovely Lush Wine & Spirits at 2232 West Roscoe Street. A wine tasting and hors d’oeuvres with the dancers supports SPDW’s fall season (November 19-22 at Links Hall), which includes new works by Liz Burritt and Paige Cunningham as well as the company’s NYC debut as part of the Wave Rising Series. Tickets are $45 — details are at spdwdance.org or by phone at (773) 550-6533. UPDATE: SPDW’s benefit has been postponed — stay tuned for its new date and time.

Posted by: trailerpilot | 10:06::2009

Review: Merce Cunningham Dance Company

MCDC1

Art’s treasure is its immortality, a constancy with which it communicates with generations past, present and future. Assuming responsible custody of the work, one doesn’t just look at a painting or sculpture, but through its creator’s eyes. That thought was on my mind as I watched one of four sold-out shows by the Merce Cunningham Dance Company at Columbia College’s Dance Center – having passed away at 90 in late July, my focus was as much on the choreographer as on Chicago Event 1, which I saw Saturday afternoon before a large painting and silkscreen by Robert Rauschenberg. Click here to read the entire article at SeeChicagoDance.com

Posted by: trailerpilot | 10:05::2009

Whirlweekend.

If you ran into me in the last few days I probably looked either beyond thrilled or completely fried; in four days I’ve seen fourteen companies on seven programs — you’d think it was a dance festival, but it was actually just a Thursday, Friday, Saturday and Sunday in early October. Stay tuned for detailed impressions of what I saw, but for now I have some sleeping to do.

October1-4

Posted by: trailerpilot | 10:02::2009

Interview: Nora Chipaumire

Nora Chipaumire. Photo by Antoine Tempe.

Nora Chipaumire. Photo by Antoine Tempe.

Up at Flavorwire: my interview with Nora Chipaumire, whose show is playing at the MCA this weekend.

Posted by: trailerpilot | 10:02::2009

Hubbard Street Dance Chicago: Fall 2009 Series

The first program of the first season of Hubbard Street’s Edgerton Administration opened last night. Its dancers, currently numbering seventeen, have settled into one another nicely — a lot of faces came and went at the company over the past few years but during the evening I realized the revolving door had slowed enough for me to see both individuals and nuanced group dynamics. And as for the work? Surprises all around.

Of Resident Choreographer Alejandro Cerrudo’s dances, “Lickety-Split” — his first for HSDC — has moved me the least. It gives a suite of Devendra Banhart songs more depth and complexity than I would ever hear on a plain listen — even more than I think they have, in fact — but it has always been a piece I find myself counting, learning step-by-step while I watch it, as opposed to being swept away by the phrases and spatial arrangements themselves. Perhaps the now-three-year-old dance has simply had time to set, or Cerrudo has taken this latest remount as an opportunity to exert new direction on his work, but “Lickety-Split” has never looked more whole or been more satisfying than it is now. Some elements — the design of its opening in particular — were as genius as ever but what had been, for me, its Achilles’ heel — the closing section — has become the celestial ascent it seems Cerrudo had intended all along. One stunning performance took it from harbinger of greater things to a manual of style. Read More…

Posted by: trailerpilot | 10:01::2009

Hoghe a hit in NYC.

Over at Ye Olde New York Times: very positive responses to Raimund Hoghe’s work, by Roslyn Sulcas on “L’Après-Midi” at Danspace Project and Claudia La Rocco on “Boléro Variations” at Dance Theater Workshop.

Posted by: trailerpilot | 10:01::2009

Flash freakout in front of flamingo Friday: Fun!

Flamingo

Rescheduled: Dance NOW Chicago’s dance party is now this Friday at 5:30pm. Get down!

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